“Practical Advice for Beginning Fiction Writers”

A guest post by Stefan Vucak www.stefanvucak.com

So, you want to be a writer, eh? I’d suggest you take up golf instead. It’s just as frustrating, but at least you get some fresh air. Still determined?

I’m not going to talk about why you want to write. That’s a story in itself. You have read widely and perhaps dabbled at writing some short pieces, and after seeing what’s out there, you’re telling yourself it can’t be that hard. You can do a much better job and you’ve made up your mind to prove to everybody you can do it. You also decided that you can take the pain, the loneliness, and exasperation that goes with writing. Have you? If you haven’t, do think about it. Writing a 300 page book means many hours with a pen, notebook and computer. Time where you don’t want to be interrupted by anything or anybody. Still want to inflict this on yourself?

William Faulkner's Underwood Universal Portabl...

When I started, I had grand dreams about getting published and my books in every store in the world. I’d be famous! Perhaps you might make it, but before you jump into the writing tar pit, knock any expectations you may have about fame and money out of your mind. If you want to write for money, become journalist or a freelance. Better still, get a paying job. That’s my first bit of advice. The second: forget about becoming famous. If you are honest with yourself, you will understand that you are driven to write, and you want to share what you have written with somebody. Everything else is secondary. If you don’t have that fire burning inside you, goading you to write, never leaving you alone, than you’re kidding yourself. Remember what I said about golf?

Okay, let’s get serious. Like any profession, writing is a craft and there are tools you must master to be any good at it. What did Einstein say: ten percent inspiration and ninety percent perspiration? He got that right. Having a story idea is nothing. Getting it down on paper in a form readers will not want to put down is everything. As with anything new, practice makes perfect. If you haven’t already, write some short stories. Why? The effort will tell you how good you are at manipulating words, creating sentences, scene breaks and chapters. It will show you if you have problems with plotting, whether you are character or action writer; whether you like prose, dialogue or are in love with flowery adjectives. By the way, drown those adjectives – most of them anyway, or take up poetry. You need to find your voice. You need to discover your writing style with which you are most relaxed and one that doesn’t impede the flow of words. Stilted, awkward narrative and dialogue is death, regardless how good the story itself might be. Don’t try to imitate an author you like. You must be true to yourself.

Some basic things that get overlooked, but are important: 

  • Format your manuscript correctly. Use 1 inch margins all around and have a proper header: Author Name/Book Title at left, and page numbering at right. Amazing how many people get this wrong.
  • Use double spacing with your sentences, and don’t right justify the text. That part comes later when the book gets published.
  • Always use the word processor’s automatic paragraph indenting. Have a hard page break, never one you create using the Enter key to space down the page.
  • Never use tabs!

There are other small things, but the idea is to get the fundamentals right before you put down that first word. Believe me, it will help in the long run. Why do all that? Firstly, submission editors have rules on manuscript formatting, but more importantly, you are developing yourself into a professional, not some amateur who hopes a brilliant story will carry you over all the bad parts. Long ago, editors helped iron out poorly written manuscripts, but those days are long gone. Today, your manuscript must be perfect, ready for typesetting and printing.

Become your worst enemy! You need to develop editorial skills and be prepared to cut that favorite word, phrase, sentence or paragraph. Never, never become so attached to your writing that you cannot prune. Like a shrub that needs cutting in order to make the whole live, you must be prepared to trim your writing. I know. It’s like hacking off an arm, but you must become inured to the pain, your eyes set on the end product. It takes time and practice, but it’s worth the effort. If you don’t do it, your editor certainly will. He will do it anyway just to demonstrate his superiority over us lesser mortals. Grin and bear it, and have a bourbon.

Develop a disciplined approach to writing. You would never build a house without proper architectural drawings. In the same way, never jump into writing that book without having thoroughly researched your subject, written a detailed outline and worked every plot angle. Careful not to get carried away with the outline or you’ll end up writing what should really be ‘real’ writing. An outline is a skeleton on which you write the book around. And like any skeleton, every bone must be in place or things will start to fall off when you begin to write. That’s called writer’s block, and can drive you to thoughts of jumping off tall buildings. It can also result in a book that will be all disjointed and pieces won’t fit. You can write a short story on the fly, and I’ve done it, but not a full-length novel. I have seen results of such amateurish writing and I still shudder when I think of them.

Develop your characters. There is nothing worse than coming across a character that has blue eyes in one chapter and brown in another. There is more to it than that, of course, but you get the idea. Every major character in your book should be fully developed, like a police mug sheet. And like that mug sheet, it should contain everything: height, color of hair, distinguishing features, mannerisms, likes and dislikes…you get the idea. This not only beds down the character in your own mind, but enforces a consistency of behavior by that character. If you have given your character a quirky mannerism, you can use it with confidence throughout the book. It will also make your reader comfortable, knowing you will not spring a surprise on him. If your character is a badass, keep him that way. Don’t introduce a brand new mannerism way down the book simply to make a point.

There are lots more things I could talk about here that every author needs in his toolbox, but I have to do some writing on my own novel. You will run into mental potholes, wander why you’re bothering, thinking that drinking your way out will help, but there is one thing you must always keep in mind. Writing can be tremendously satisfying. There is nothing like the buzz you get when the words flow and everything clicks together. The pure joy of creation can be giddying – and addictive. Once hooked, I’m afraid there is no cure, and no cold turkey withdrawal will help.

Still want to be a writer? On your head be it.

Stefan Vucak is an award-winning author of the sci-fi Shadow Gods series of books. His contemporary political thriller Cry of Eagles has won the coveted 2011 Readers Favorite silver medal award.

Website: www.stefanvucak.com

Facebook: www.facebook.com/StefanVucak

Twitter: @stefanvucak

What basic tips would you add to Stefan’s list?  Have any thoughts on your own frustrations as a writer to share?
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